rachel levit ruiz

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<channel>
	<title>rachel levit ruiz</title>
	<link>https://rlrtest1.cargo.site</link>
	<description>rachel levit ruiz</description>
	<pubDate>Thu, 26 Nov 2020 21:16:15 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://rlrtest1.cargo.site/Home</link>

		<pubDate>Mon, 06 Jul 2020 22:29:27 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

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		<description>&#38;nbsp;Info</description>
		
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		<title>Info</title>
				
		<link>https://rlrtest1.cargo.site/Info</link>

		<pubDate>Mon, 06 Jul 2020 22:29:30 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/Info</guid>

		<description>


	Mexican artist and illustrator based in CDMX.I graduated from Parsons The New School of Design in may 2012.email me at: rachellevitruiz(at)gmail.com
Instagram @rachellevit


</description>
		
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	<item>
		<title>The Smudge</title>
				
		<link>https://rlrtest1.cargo.site/The-Smudge</link>

		<pubDate>Thu, 26 Nov 2020 21:16:15 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/The-Smudge</guid>

		<description>Risographs


&#60;img width="1063" height="1377" width_o="1063" height_o="1377" data-src="https://freight.cargo.site/t/original/i/73950631ca4602ed8166d770a97f239aaaa4eef7a446deb26b83efa0b1d8d374/portada-smudge.jpg" data-mid="90244508" border="0"  src="https://freight.cargo.site/w/1000/i/73950631ca4602ed8166d770a97f239aaaa4eef7a446deb26b83efa0b1d8d374/portada-smudge.jpg" /&#62;
Cover for the spanish issue of The SmudgeMay 2019
Volume 3, Issue #5


&#60;img width="1100" height="881" width_o="1100" height_o="881" data-src="https://freight.cargo.site/t/original/i/d4e14d0e8646d9c4f8f1590b8a05108235c10663eb4249de1fc66b56a028ccc4/halftonedancers-lr_1100.jpg" data-mid="90247613" border="0"  src="https://freight.cargo.site/w/1000/i/d4e14d0e8646d9c4f8f1590b8a05108235c10663eb4249de1fc66b56a028ccc4/halftonedancers-lr_1100.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

	&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/7ebc4692595451ee26110d2915faa7e6be34393ef115e1041e284bc880d706e6/tumblr_o9n20dZEHI1qbfz4so1_1280.jpg" data-mid="90247614" border="0"  src="https://freight.cargo.site/w/1000/i/7ebc4692595451ee26110d2915faa7e6be34393ef115e1041e284bc880d706e6/tumblr_o9n20dZEHI1qbfz4so1_1280.jpg" /&#62;
	

“Dancers”, printed 
in Mexico City.

Appeared in The Paris Review
 Issue 217, summer 2016
</description>
		
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	<item>
		<title>cdmx</title>
				
		<link>https://rlrtest1.cargo.site/cdmx</link>

		<pubDate>Thu, 26 Nov 2020 20:52:22 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/cdmx</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;CDMX paintings
&#38;nbsp; &#38;nbsp; &#38;nbsp; 
	&#60;img width="2000" height="2880" width_o="2000" height_o="2880" data-src="https://freight.cargo.site/t/original/i/cc17ce6028153bdaf2cef2df4a763786d2bf6ac879a4b7c2b2fca61a2dbad4ea/barrendero-reforma-rachel-levit-ruiz.jpg" data-mid="90242985" border="0"  src="https://freight.cargo.site/w/1000/i/cc17ce6028153bdaf2cef2df4a763786d2bf6ac879a4b7c2b2fca61a2dbad4ea/barrendero-reforma-rachel-levit-ruiz.jpg" /&#62;“Barrendero I”, gouache on paper.


	&#60;img width="2000" height="2885" width_o="2000" height_o="2885" data-src="https://freight.cargo.site/t/original/i/b3c24373601aa29956c33f2d73fccdb0bcbe946027f3d1f3e509e15d2bc8639b/uniforme-cdmx.jpg" data-mid="90244066" border="0"  src="https://freight.cargo.site/w/1000/i/b3c24373601aa29956c33f2d73fccdb0bcbe946027f3d1f3e509e15d2bc8639b/uniforme-cdmx.jpg" /&#62;
“Barrendero II”, gouache on paper.&#38;nbsp; &#38;nbsp; &#38;nbsp;


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;  &#38;nbsp;&#38;nbsp;

	
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1909" height="2292" width_o="1909" height_o="2292" data-src="https://freight.cargo.site/t/original/i/7050245d84a5c3da8bf95a3b04bc6b60ab7732cdea84fc7ec2f5cf01bfa1655c/lenceria.jpg" data-mid="90243039" border="0"  src="https://freight.cargo.site/w/1000/i/7050245d84a5c3da8bf95a3b04bc6b60ab7732cdea84fc7ec2f5cf01bfa1655c/lenceria.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Lenceria I”, acrylic on wood.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/b1f832919100fb080e9ba156ea9b4831ae9947551423dc43dd1f1a09716bef8a/bra-1350.jpg" data-mid="90243615" border="0"  src="https://freight.cargo.site/w/1000/i/b1f832919100fb080e9ba156ea9b4831ae9947551423dc43dd1f1a09716bef8a/bra-1350.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Lencería II”,&#38;nbsp; gouache on paper.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
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		<title>movie poster</title>
				
		<link>https://rlrtest1.cargo.site/movie-poster</link>

		<pubDate>Thu, 26 Nov 2020 20:28:12 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/movie-poster</guid>

		<description>
	&#38;nbsp;Movie Posters


&#60;img width="1969" height="2784" width_o="1969" height_o="2784" data-src="https://freight.cargo.site/t/original/i/252f6c093d3b4021f8600dc7f21b3304bb43bbb6c76f869346a1222ab6afbce8/miserables-blue-final.jpg" data-mid="90241491" border="0"  src="https://freight.cargo.site/w/1000/i/252f6c093d3b4021f8600dc7f21b3304bb43bbb6c76f869346a1222ab6afbce8/miserables-blue-final.jpg" /&#62;


&#38;nbsp; &#38;nbsp; &#38;nbsp; Poster commissioned by Wolf Kino Gang, 
an independent theater in Berlin, Germany.December 2019


&#60;img width="1969" height="2614" width_o="1969" height_o="2614" data-src="https://freight.cargo.site/t/original/i/5f3ab26da349533bf241ef070255cc6d06fe5b8ecabafa7f40a49502d275a4eb/isadora-mubi.jpg" data-mid="90241582" border="0"  src="https://freight.cargo.site/w/1000/i/5f3ab26da349533bf241ef070255cc6d06fe5b8ecabafa7f40a49502d275a4eb/isadora-mubi.jpg" /&#62;


&#38;nbsp; &#38;nbsp;&#38;nbsp; Poster commissioned by streaming website Mubi,
 for their poster of the month series.
September 2020
</description>
		
	</item>
		
		
	<item>
		<title>Atla</title>
				
		<link>https://rlrtest1.cargo.site/Atla</link>

		<pubDate>Sat, 21 Nov 2020 19:05:32 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/Atla</guid>

		<description>Atla


	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/dbe53c4247f016d213384ff71cf050c1253f0f97a059693ed037963a9667a023/atla-chichi.jpg" data-mid="89624249" border="0"  src="https://freight.cargo.site/w/1000/i/dbe53c4247f016d213384ff71cf050c1253f0f97a059693ed037963a9667a023/atla-chichi.jpg" /&#62;
	
Series commissioned by NY
restaurant Atla
 in 2019.

&#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;
	&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/fe718204258f7add078848469659ce0385f80d4fabfdcb35a01ca584b626fafe/mothersday.jpg" data-mid="89624251" border="0"  src="https://freight.cargo.site/w/1000/i/fe718204258f7add078848469659ce0385f80d4fabfdcb35a01ca584b626fafe/mothersday.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/924588ee1baf15dd6dd45b211002d22b570537a1bcbe9d6f02dfd23986ecd3d5/elote-atla.jpg" data-mid="89624248" border="0"  src="https://freight.cargo.site/w/1000/i/924588ee1baf15dd6dd45b211002d22b570537a1bcbe9d6f02dfd23986ecd3d5/elote-atla.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d74d18f2ebc7cf5d42fa2a43d3f9329fb77105901c28d6e7075e65ad89b2459a/tehuana-atla.jpg" data-mid="89624250" border="0"  src="https://freight.cargo.site/w/1000/i/d74d18f2ebc7cf5d42fa2a43d3f9329fb77105901c28d6e7075e65ad89b2459a/tehuana-atla.jpg" /&#62;
	&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/ebc1cda8528fac2550a1a207ced7ec6d5eed0df71deb98bcccba8e059000c7a5/sol2.jpg" data-mid="89624460" border="0"  src="https://freight.cargo.site/w/1000/i/ebc1cda8528fac2550a1a207ced7ec6d5eed0df71deb98bcccba8e059000c7a5/sol2.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/922c0eaa34985b18e66d224e0ab216cf4c1e27ad984ca1062f19cc7748ffa34f/muxe-atla.jpg" data-mid="89624247" border="0"  src="https://freight.cargo.site/w/1000/i/922c0eaa34985b18e66d224e0ab216cf4c1e27ad984ca1062f19cc7748ffa34f/muxe-atla.jpg" /&#62;&#60;img width="2250" height="2813" width_o="2250" height_o="2813" data-src="https://freight.cargo.site/t/original/i/95bd54c2ca976d2df2f02079aa69a8d12e7c3026f6214fbd44600ec4f596f5d1/ahuizotl.jpg" data-mid="89624508" border="0"  src="https://freight.cargo.site/w/1000/i/95bd54c2ca976d2df2f02079aa69a8d12e7c3026f6214fbd44600ec4f596f5d1/ahuizotl.jpg" /&#62;

&#38;nbsp; &#38;nbsp;&#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Shifted</title>
				
		<link>https://rlrtest1.cargo.site/Shifted-1</link>

		<pubDate>Fri, 20 Nov 2020 23:56:49 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/Shifted-1</guid>

		<description>Shifted"A volume of figurative black and white drawings from Brooklyn-based illustrator and artist Rachel Levit Ruiz. Born and raised in Mexico City, Ruiz’s work observes and comments on gender, femininity and contemporary relationships. This series utilizes fractures, fragmentation, and displacement to create striking portraits of both women and men. Published by Draw Down. First edition, 2016. "


	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/778d8c51f11e2cae5a500c0e90a33964f51e68b68e3dcfe9aee2422c9209a17b/tumblr_odcp8d6PrA1ryp5pto1_1280.jpg" data-mid="89560797" border="0"  src="https://freight.cargo.site/w/750/i/778d8c51f11e2cae5a500c0e90a33964f51e68b68e3dcfe9aee2422c9209a17b/tumblr_odcp8d6PrA1ryp5pto1_1280.jpg" /&#62;
	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/6f1a7ef56070c3bdfab023c9b7d08074359ba4c3582f4bf89f33da1d14ed6443/tumblr_oe2a1gRGYE1ryp5pto1_1280.jpg" data-mid="89560802" border="0"  src="https://freight.cargo.site/w/750/i/6f1a7ef56070c3bdfab023c9b7d08074359ba4c3582f4bf89f33da1d14ed6443/tumblr_oe2a1gRGYE1ryp5pto1_1280.jpg" /&#62;

	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/475239b27a4ae9067ef23a168e893b2554117f25c0507818f467b6e1a3ab44d0/tumblr_odm898FH6e1ryp5pto1_1280.jpg" data-mid="89560803" border="0"  src="https://freight.cargo.site/w/750/i/475239b27a4ae9067ef23a168e893b2554117f25c0507818f467b6e1a3ab44d0/tumblr_odm898FH6e1ryp5pto1_1280.jpg" /&#62;
	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/8ea86ad20eb9538bdee59d985bcc5b07d8c92ec68a1243884ffe738b957407b4/tumblr_oef4r21imM1ryp5pto1_1280.jpg" data-mid="89560807" border="0"  src="https://freight.cargo.site/w/750/i/8ea86ad20eb9538bdee59d985bcc5b07d8c92ec68a1243884ffe738b957407b4/tumblr_oef4r21imM1ryp5pto1_1280.jpg" /&#62;

	&#60;img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/ae14c3673cf613397fe7059ab64009280c9cd8d8bbfff4b818087a2010059645/tumblr_odpdjvFdh51ryp5pto1_1280.jpg" data-mid="89560808" border="0"  src="https://freight.cargo.site/w/750/i/ae14c3673cf613397fe7059ab64009280c9cd8d8bbfff4b818087a2010059645/tumblr_odpdjvFdh51ryp5pto1_1280.jpg" /&#62;
	&#60;img width="1134" height="1134" width_o="1134" height_o="1134" data-src="https://freight.cargo.site/t/original/i/9bd9e64170d73ba1b6ce7ac1921a2f6f5a2ce5093a0a569fe18416f57e21729c/backbend-shifted.jpg" data-mid="89623798" border="0"  src="https://freight.cargo.site/w/1000/i/9bd9e64170d73ba1b6ce7ac1921a2f6f5a2ce5093a0a569fe18416f57e21729c/backbend-shifted.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>New York Times</title>
				
		<link>https://rlrtest1.cargo.site/New-York-Times</link>

		<pubDate>Mon, 06 Jul 2020 22:29:27 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/New-York-Times</guid>

		<description>
	&#38;nbsp; &#38;nbsp;The New York Times &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; Selected work 2013-2020


&#60;img width="809" height="856" width_o="809" height_o="856" data-src="https://freight.cargo.site/t/original/i/2f087d796ff8048a34422197eb9129e15e4763d61bb472857769687f12f197ef/thecover2blank.jpg" data-mid="76658278" border="0"  src="https://freight.cargo.site/w/809/i/2f087d796ff8048a34422197eb9129e15e4763d61bb472857769687f12f197ef/thecover2blank.jpg" /&#62;


	Cover for the NYT Book Review on May 24th, 2020. 
A.D. Matthew Dorfman
“Immigration in the United States is, perhaps, this nation’s chief intractable issue: as David Nassaw explains on the cover of this weel, reviewing two new books on the topic, 
America is a nation of immigrants that has long imposed 
severe restrictions on newcomers. That paradox is laid
 bare by examining Jia Lynn Yang’s “One Mighty and Irisistible Tide” directly alongside “The Deportation Machine,” by Adam Goodman. Nassaw thoughtfully threads both into context of today’s politics, since immigration is sure to remain a 
central topic with the presidential election 
just a few months away”


&#60;img width="1410" height="1104" width_o="1410" height_o="1104" data-src="https://freight.cargo.site/t/original/i/2feb0764cba060632be48687a98ef175b98266eb0fd1f1d25f7304c421e4a324/eye-final1.jpg" data-mid="186512288" border="0"  src="https://freight.cargo.site/w/1000/i/2feb0764cba060632be48687a98ef175b98266eb0fd1f1d25f7304c421e4a324/eye-final1.jpg" /&#62;
Illustration for the NYT Review Of Books article on the book “In The Orchard” by Eliza Minot
April 2023 A.D. Matt Dorffman
&#60;img width="1750" height="1166" width_o="1750" height_o="1166" data-src="https://freight.cargo.site/t/original/i/41ca59732e5bf317b43bc757735612519b33506fcbbb74683f53ae19bf8b7923/final-sleep.jpg" data-mid="186512373" border="0"  src="https://freight.cargo.site/w/1000/i/41ca59732e5bf317b43bc757735612519b33506fcbbb74683f53ae19bf8b7923/final-sleep.jpg" /&#62;
Illustration for NYT Well about tips for sleeping well
October 2022 A.D. Deanna Donegan


&#60;img width="1950" height="1275" width_o="1950" height_o="1275" data-src="https://freight.cargo.site/t/original/i/248e732bc63ae37c16f0cf94369e2647d86b2a2097a1d656ff9c221f1b07cc43/final-nytstyles-finance.jpg" data-mid="88912865" border="0"  src="https://freight.cargo.site/w/1000/i/248e732bc63ae37c16f0cf94369e2647d86b2a2097a1d656ff9c221f1b07cc43/final-nytstyles-finance.jpg" /&#62;


Illustration for the NYT style section about
 couple discussing financial plans during the pandemic. 
September 2020. A. D. Bernadette Dashiell


&#60;img width="1750" height="2188" width_o="1750" height_o="2188" data-src="https://freight.cargo.site/t/original/i/4bfcd497ee086b1bcdf4598b757d22871e3374873d3cc1d35af5cfe1b2343d75/generosity-final-revised.jpg" data-mid="80044699" border="0"  src="https://freight.cargo.site/w/1000/i/4bfcd497ee086b1bcdf4598b757d22871e3374873d3cc1d35af5cfe1b2343d75/generosity-final-revised.jpg" /&#62;


	For the NYT parenting 
section online,
 for the article 
“We need to talk about 
the Giving Tree” 
which explores generosity 
vs self-sacrifice. 
September 2019.
 A.D. Deanna Donnegan

	
For a Sunday Review’s 
piece about what needs 
to be done to prevent
 the rise in suicides.

 April 2019. A.D. Nathan Huang
	
&#60;img width="1600" height="1772" width_o="1600" height_o="1772" data-src="https://freight.cargo.site/t/original/i/55bcb8981cb2337e97d11ac41693da78a580594b7c7a62db7cb214d836bd7c2d/final-depression2.jpg" data-mid="76658403" border="0"  src="https://freight.cargo.site/w/1000/i/55bcb8981cb2337e97d11ac41693da78a580594b7c7a62db7cb214d836bd7c2d/final-depression2.jpg" /&#62;


&#60;img width="6430" height="5405" width_o="6430" height_o="5405" data-src="https://freight.cargo.site/t/original/i/46317edd3e1c2076e1e7bcb017c070baeae53be075a49fe323f2aa7574cc589c/americandirt-final2.jpg" data-mid="88912783" border="0"  src="https://freight.cargo.site/w/1000/i/46317edd3e1c2076e1e7bcb017c070baeae53be075a49fe323f2aa7574cc589c/americandirt-final2.jpg" /&#62;

Illustration for Lauren Groff’s book review of “American Dirt”.
 
January 2020. A.D. Matt Dorffman


For the NYT Sunday Review. Reyna Grande, a woman born in Iguala, Guerrero, gives an account of crossing the border with her family when she was nine. 
August 2018.
 A.D. Nathan Huang
	&#60;img width="1600" height="1313" width_o="1600" height_o="1313" data-src="https://freight.cargo.site/t/original/i/d1779f373aaa6df80ebe899a66e13b21f747af0233d9545c689267eec765a85f/immigration-final5.jpg" data-mid="76658253" border="0"  src="https://freight.cargo.site/w/1000/i/d1779f373aaa6df80ebe899a66e13b21f747af0233d9545c689267eec765a85f/immigration-final5.jpg" /&#62;

	&#60;img width="1473" height="436" width_o="1473" height_o="436" data-src="https://freight.cargo.site/t/original/i/2541b049587d82c358e7e3d931a03b6b91479ec26f59786e587c5f0f2d3d7c58/sketchbook-weinstein-final.jpg" data-mid="88916203" border="0"  src="https://freight.cargo.site/w/1000/i/2541b049587d82c358e7e3d931a03b6b91479ec26f59786e587c5f0f2d3d7c58/sketchbook-weinstein-final.jpg" /&#62;
“The Silence Breaks”...for the NYT “Sketchbook” section on 
Harvey Weinstein. October 2017 A.D. Andrew Sondern

	
&#60;img width="1410" height="1707" width_o="1410" height_o="1707" data-src="https://freight.cargo.site/t/original/i/44239bbd7472dd7909aec7032aeaeff31b555da65628ae1810432ea412ed91a4/final-momsurveillance-whitebackground.jpg" data-mid="80044669" border="0"  src="https://freight.cargo.site/w/1000/i/44239bbd7472dd7909aec7032aeaeff31b555da65628ae1810432ea412ed91a4/final-momsurveillance-whitebackground.jpg" /&#62;
For the NYT Book Review section, on parenting
 in the age of fear.

 August 2018. A.D. Matt Dorfman.
&#60;img width="1600" height="1371" width_o="1600" height_o="1371" data-src="https://freight.cargo.site/t/original/i/2ffc048c5d178c2b4bf2c1b209d8add92e4f9dd49eb0a719e9aec5a559063f4f/final2-emotionallabor.jpg" data-mid="90245441" border="0"  src="https://freight.cargo.site/w/1000/i/2ffc048c5d178c2b4bf2c1b209d8add92e4f9dd49eb0a719e9aec5a559063f4f/final2-emotionallabor.jpg" /&#62;
For the NYT Parenting section, about emotional labour
 in the household.

May 2019. A.D. Deanna Donnegan
</description>
		
	</item>
		
		
	<item>
		<title>Animal Pictures</title>
				
		<link>https://rlrtest1.cargo.site/Animal-Pictures</link>

		<pubDate>Mon, 06 Jul 2020 22:29:27 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/Animal-Pictures</guid>

		<description>
	Logo Design


&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/31e15a6a484b3c89c3fac60f5908516d3894ec3c04688c6766b8ce3e63992e4e/logo-blu-whitebackground.jpg" data-mid="89625379" border="0"  src="https://freight.cargo.site/w/1000/i/31e15a6a484b3c89c3fac60f5908516d3894ec3c04688c6766b8ce3e63992e4e/logo-blu-whitebackground.jpg" /&#62;


	 &#38;nbsp;Logo design for L.A. production companyAnimal Pictures founded
 by Maya Rudolph and Natasha Lyonne.


	Logo for Yora: 
an ice cream brandin Bangkok, Thailand.
	&#60;img width="1607" height="1607" width_o="1607" height_o="1607" data-src="https://freight.cargo.site/t/original/i/6c8ae541c33c64b108123b6c1214213a05b664f6b7b23cc429074b080d5030ed/Yora---Logo-Proposal-3-b-4.jpg" data-mid="89625275" border="0"  src="https://freight.cargo.site/w/1000/i/6c8ae541c33c64b108123b6c1214213a05b664f6b7b23cc429074b080d5030ed/Yora---Logo-Proposal-3-b-4.jpg" /&#62;


&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f5f1c923b6a503a7f6208ec38ee4e78f0f7eb7afffb44a8b2b001c9967ffd860/yorahippo.jpg" data-mid="89625273" border="0"  src="https://freight.cargo.site/w/1000/i/f5f1c923b6a503a7f6208ec38ee4e78f0f7eb7afffb44a8b2b001c9967ffd860/yorahippo.jpg" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>The New Yorker</title>
				
		<link>https://rlrtest1.cargo.site/The-New-Yorker-1</link>

		<pubDate>Mon, 17 Aug 2020 00:13:11 +0000</pubDate>

		<dc:creator>rachel levit ruiz</dc:creator>

		<guid isPermaLink="true">https://rlrtest1.cargo.site/The-New-Yorker-1</guid>

		<description>
	The New Yorker Selected work 2017-2020


&#60;img width="1365" height="897" width_o="1365" height_o="897" data-src="https://freight.cargo.site/t/original/i/910bca2a420de97ada0c5da9b79997623d6b5b10a6e5bafcfe5dcad2b93d48e8/dance2.jpg" data-mid="80045404" border="0"  src="https://freight.cargo.site/w/1000/i/910bca2a420de97ada0c5da9b79997623d6b5b10a6e5bafcfe5dcad2b93d48e8/dance2.jpg" /&#62;Illustration for the section “goings on about town” 
on the print edition of the magazine:
The Houston Ballet at NY City Center. October 2019.
 A.D. Neeta Patel.
	

&#60;img width="882" height="661" width_o="882" height_o="661" data-src="https://freight.cargo.site/t/original/i/343a9a1b248b50f66afbb16659e7c0f5e48216d3bc4c0b2d4ce99e17e8bdf9c2/spot-final.jpg" data-mid="80045363" border="0"  src="https://freight.cargo.site/w/882/i/343a9a1b248b50f66afbb16659e7c0f5e48216d3bc4c0b2d4ce99e17e8bdf9c2/spot-final.jpg" /&#62;


&#60;img width="1279" height="661" width_o="1279" height_o="661" data-src="https://freight.cargo.site/t/original/i/745b0a911c745ed4c9113f28007f9aee3e873f7c78523aba6ac563f7f631a42c/final-addimando-revised3.jpg" data-mid="80045366" border="0"  src="https://freight.cargo.site/w/1000/i/745b0a911c745ed4c9113f28007f9aee3e873f7c78523aba6ac563f7f631a42c/final-addimando-revised3.jpg" /&#62;&#38;nbsp;Illustrations for an article written
 by Rachel Snyder for 
The New Yorker online: Nicole Addimando who,
 after being abused and 
brutalized for years by
 her partner, shot him
 inself defense.
 She was sentenced to 25
 years to life in prison. 
December 2019.
 A.D. Claire Merchlinsky.

	&#60;img width="2816" height="3460" width_o="2816" height_o="3460" data-src="https://freight.cargo.site/t/original/i/14aa448e7ad8bf35a7a68c3a4c2eb1dedf6c598b08b0da3f7221cf274a1fb7af/IMG_3976.jpg" data-mid="88920870" border="0"  src="https://freight.cargo.site/w/1000/i/14aa448e7ad8bf35a7a68c3a4c2eb1dedf6c598b08b0da3f7221cf274a1fb7af/IMG_3976.jpg" /&#62;

	
Full page illustration accompanying 
Leïla Slimani’sshort story “The Confession”.&#38;nbsp;
The story takes place in a rural village in Morocco.
 A wealthy teenager confesses to taking part in the 
rape of a very young peasant girl.
 He's guilt later comes in a haunting dream...

Published in the print edition of February 18 &#38;amp; 25, 2019.
A.D. Aviva Michaelov.


&#60;img width="1313" height="1800" width_o="1313" height_o="1800" data-src="https://freight.cargo.site/t/original/i/9de1eb6ccade1fd173e2a9b21945e57b1665fc8bd3ba8cfcf207285a48471c03/separation-final-red-beige.jpg" data-mid="80045410" border="0"  src="https://freight.cargo.site/w/1000/i/9de1eb6ccade1fd173e2a9b21945e57b1665fc8bd3ba8cfcf207285a48471c03/separation-final-red-beige.jpg" /&#62;

	
Print edition illustration 
for Alexandra Schwartz’s review of 2 books 
marriage and infidelity.
 January 2017. 
A.D. Chris Curry.
</description>
		
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